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Jif’s new logo is a rebrand done right

admin October 18, 2026Branding LessonsDone, Jif’s, Logo, Rebrand, Rightadmin
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August 15, 2026


Jif’s new logo is a rebrand done right






BY Grace Snelling



Jif just rebranded for the first time in 30 years, and it’s a (rare) example of how to modernize a beloved brand without killing its quirk.



The updated branding will appear across all of Jif’s products starting this fall, and includes a new wordmark, logo, fonts, and photography. On August 10, Jif dropped a new campaign called “Every Jif’ing Thing,” which highlights the spread’s many use cases—think smoothies, yogurt bowls, and peanut noodles. Together, these efforts are part of a broader repositioning plan from Jif. 


The brand told Marketing Dive that while 85% of consumers could recognize the Jif logo by its red, blue, and green stripes, they mostly associated it with peanut butter and jelly sandwiches. As Jif works on expanding its product portfolio into new innovations like squeezable tubes and peanut butter and chocolate spread, the brand’s new look is meant to convey that it’s not just a component of your kids’ favorite sandwich—it’s also, per a press release, “a natural complement to an apple slice, rice cake, cracker, or even simply enjoyed from a spoon” (we’ve all been there). 


In an era when brand refreshes are in vogue, what stands out about Jif’s evolution isn’t what’s changed, but what’s stayed the same. The brand has smartly taken an ultra-subtle approach with its wordmark, and, by staying true to its funky lettering, it manages to look more modern without losing recognizability. 


Jif’s new logo is a rebrand done right | DeviceDaily.com

[Photo: Jif]

Jif gets a beyond-PB&J glow-up


In 2023, Fast Company declared it the era of the “big rebrand.” In 2024, the rebrand was dead, replaced with the “refresh”—ostensibly the same concept, with a lighter, less all-encompassing touch. Today, companies are still much quicker to update their branding in a bid to stay modern than they are to hold off to maintain brand recognizability. 


When it comes to logos, that can mean sacrificing established brand equity (as in the case of Eddie Bauer, Saint Laurent, and Johnson & Johnson) for the sake of modernity or legibility. Jif—which is one of the brands owned by massive $14 billion food and beverage conglomerate J.M. Smucker—had the built-in advantage that its 30-year-old logo was already in a bold, easy-to-read font (no pesky scripts here). Still, the previous look had plenty of quirks that the brand could easily have smoothed out in service of a sleeker identity.


The jot above the “i” was comically oversized and squished; the stems of the “J” and “f” were so chunky that only a sliver of space poked in between; and the crossbar of the “f” was disproportionately thin and short. 




Rather than removing these traits to perfect the logo, the team at Jif opted instead for less-invasive tweaks. The new version looks largely the same, just without a drop shadow or serifs. 


“For all of our brands, we focus on representing them in a manner that is authentic to the brand, their history, and what they mean to consumers,” says Kara Buckler, senior director of creative and design at J.M. Smucker. “With the Jif refresh, we honored the iconic elements people know and love while also invigorating the brand with a cleaner, bolder look.”


To signal its repositioning, Jif is relying on the packaging’s new photography to do most of the heavy lifting. Across various SKUs, images of spreads on rice crackers, apples, celery, and pretzels help cue customers in on Jif’s beyond-PB&J glow-up. Its tricolor logo has also been reduced in size so that each SKU is defined by its own distinct label color. 



The new Jif winks at the brand’s broadening ambitions without alienating its cross-generational fans. It’s a reminder that oftentimes the best rebrands are about restraint.





ABOUT THE AUTHOR



Grace Snelling is a staff writer for Fast Company with a focus on product design, branding, art, and all things Gen Z. Her stories have included an exploration into the wacky world of Duolingo’s famous mascot, an interview with the New Yorker’s art editor about the scramble to prepare a cover image of Donald Trump post-2024 election, and an analysis of how the pineapple became the ultimate sex symbol


 

 

Fast Company

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